The Interview Margaret Owen is a painter, teacher and mom living in providence, RI. You can see You can see her work in the current exhibition at Buonnacoursi-Agniel Gallery, read her daily painting blog at www.permanentmagenta.com, and see her various course offerings at www.margaretmowen.com
What led you to pick up a brush?
That question boggles my mind a bit. Color, perhaps. Perhaps seeing the artwork of my great aunt Ellen as a child. Cezanne's work and Picasso's rose period certainly inspired me. Because of the way Cezanne grasped the paradox of focusing on a part while still perceiving the whole of what was before him. Picasso, for the haunting and sculptural way that he rendered the saltimbanques. Everything in the Phillips collection in DC and the Burghers of Calais at the Hirshorn.
What are the important traits or skills of a successful artist?
Grit, I suppose, as with most things. To continue to inhabit an attitude of playful inquiry despite the cacophony of critical voices in your head. (and the dishes in the sink.)
You have a keen eye for color. Could you describe your artistic style?
My style might best be described as earnest and impatient. I love color and seek it out in whatever I am painting. There is an Italian expression: Alla Prima, meaning "at the first." I am an alla prima painter, often finishing pieces in a single sitting as opposed to using layering techniques such as glazing.
When you choose your subjects, do you have a plan for what you want to capture, or is it all just pure whimsy!? :)
When I choose my subjects I do sometimes know exactly what I want to try to capture; for example a flat patterned blue cloth against the solid organic shape of a yellow lemon. All those juxtapositions: texture, three and two dimensions, weight and color. Or the luminous orange shadow on a face in front of a blue ocean. Just as often I begin a painting having no idea what will come up and even feeling totally unable to comprehend what is before me. I tell myself, "Embrace uncertainty. Your job is to sit down with this subject and this paintbrush and explore."
It is very important for me to let go of any predicted outcome and simply be present with the painting at this moment. That is a difficult line to walk as often my thoughts move to noisy questions: "How will this come out? How will it fit in with my other paintings? Could this be in a show? Will this sell? I haven't posted anything in a couple of days this one's got to work! Shouldn't I be doing something more productive with my time? Those thoughts shut down the creative process; they distance me from the work at hand.
Blogging helps my process immensely because it allows me to see my work in a new light-literally just to see it outside the studio is revealing, and because of the support and feedback I get from others. But I can't actually think about the social/exterior aspect while I am painting or I'm doomed. I need to move fluidly between my own quiet interior frame of mind in which I make my paintings and the bustling outside social world that inspires me, shores me up, helps me to be more creative, and gives me permission to spend time on my art. It's a bit of a paradox.
Oh, and that reminds me of a canny Virginia Wolfe quotation on making art. "Always...before exchanging the flow of life for the concentration of painting she had a few moments of nakedness when she seemed like an unborn soul, a soul reft of body, hesitating on some windy precipice and exposed unprotected, to all the blasts of doubt."
What are you planning next? (Tell us about the Morocco workshop!)
Oh my gosh its going to be amazing! We will be staying in luxurious style at the breathtaking Peacock pavilions (it has a pool and an olive grove!) There will be tours of Marrakech, fabulous food, dazzling interiors, belly dancing, beautiful henna tattoos, Pilates classes, spa treatments; even a day trip to an ancient seaside town. And, of course, drawing and painting.
Our idea was that participants of any skill level could learn to record their travel experiences in a sketchbook and therefore more fully enjoy their trip. Sketching is so richly rewarding; classes energize our students, they leave with confidence and a renewed capacity for play. This time they will come home with a beautiful sketchbook of their travels! And now students can use online publishers to print a hardbound copy of their sketchbook as a keepsake or one of a kind gift.
Let me introduce my friend Elizabeth Hutchinson. She and I met at the New York Academy of art where we received our masters degrees in Painting. I was drawn to her combination of peace and purpose as well as her dazzling ability to see the world and express life on the page with a pencil. Over the years we've stayed close, leaning on each other for solutions to life's puzzles.
In order to spend time together despite living in different countries we plan for art adventures. We both love to travel and now that my son is older and hers are in college we are looking farther a field, hence Morocco. I have always been drawn to Morocco. Beautiful textiles and architecture have been showing up in my inspiration journals since I was a girl.
I had been following My Marrakesh for a couple of years when one day this spring I saw the link to Peacock Pavilions. I made up my mind immediately to teach a workshop there. I love to speak French but rarely have the opportunity. I had an *Eat Pray Love* moment when I realized: "they speak French in Morocco! Therefore I can experience Marrakech, teach painting with my dear friend Elizabeth and speak French. All at the same time!" Thrilling.
It's such fun teaching with Elizabeth. She has a great ability to show students how to grasp what eludes them and how they can reach further. Together we are three times the teacher we are singly. I love teaching because as a teacher I am able to experience the situation from 12 more perspectives. Its as though I get to be 12 different artists solving a multitude of problems and seeing the world through a multitude of eyes, all in one class!; richly rewarding. Our trip to Marrakech will be a glorious time.
More information on Margaret's sketch course in Marrakesh
Moroccan painting retreat
Peacock Pavilions
Buy Morocco sketches
